Software : Adobe Premiere Elements 4 [OLD VERSION]

Software : Adobe Premiere Elements 4 [OLD VERSION]

Adobe Premiere Elements 4 [OLD VERSION]

from: Adobe



Adobe Premiere Elements 4 [OLD VERSION]
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Your Price: $99.99
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Average Rating:  out of 5 stars
Sales Rank: 2199










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Binding: DVD-ROM
Brand: Adobe
EAN: 0883919136127
Format: DVD-ROM
Label: Adobe
Manufacturer: Adobe
Model: 25530473
Publisher: Adobe
Release Date: October 05, 2007
Sales Rank: 2199
Studio: Adobe



Features:
  • Get started quickly with easy moviemaking options
  • Show your style with amazing video and audio effects
  • Share on YouTube, your own website, DVD, and mobile devices
  • Enjoy movies in high definition, including on Blu-ray Disc
  • Turn a sequence of clips into a polished movie in minutes with Movie Themes







Editorial Review:

Item Description:
Create and share great-looking movies in minutes with Adobe Premiere Elements 4 software. Show your style with amazing audio and video effects and share your movies on YouTube, your own website, disc, and virtually anywhere else. Visually tag video clips and photos to categorize by people, places, or events. Turn a sequence of scenes into a polished movie in just a few clicks. Adobe Premiere Elements automatically applies coordinated transitions, music, and professionally designed layouts for titles, credits, and disc menus. Create your story faster in the Sceneline, an easier alternative to the more traditional video-editing Timeline, where you can make a movie by simply dragging and dropping thumbnails of your clips, transitions, and effects. Choose from a set of world-class Adobe fonts designed to look great on video, and customize them with shadows, glows, and other effects. Add in background music and sound effects with the new Audio Mixer, which lets you easily adjust relative volumes and create slideshows and movies that move to the music. Animate titles to fit your movie's personality Mix and refine your audio and edit to the beat of a favorite song Customize your discs with interactive menus Easily add dazzling effects to impress your audience Create visual interest with eye-catching transitions Share in many ways from one convenient place Create dynamic, personalized DVDs and high-definition Blu-ray Discs Easily upload your movies to YouTube and your personal website Share movies on mobile phones and portable media players Share movies in multiple ways from one convenient place Add professional-quality animated transitions and effects System requirements - Intel Pentium 4 or compatible processor; Microsoft Windows XP with Service Pack 2 or Windows Vista, 512MB RAM or higher, 4.5GB free space, Color monitor with 16-bit color video card, 1,024x768 monitor resolution at 96dpi or less,

Amazon.com:
Create and share great-looking movies in minutes with Adobe Premiere Elements 4--the newest version of the best-selling consumer video-editing software. Get started quickly with all your video clips and photos at your fingertips and a choice of easy options for transforming them into polished movies. Show your personal style with amazing visual effects, rich audio, and interactive menus. Then broadcast far and wide by uploading your movies directly to YouTube or your personal sharing site; share with family and friends on DVD, mobile phones, and portable media devices; and even enjoy movies in high definition, including on Blu-ray Disc.



Get started quickly with all your media at your fingertips.


Add professional-quality animated transitions and effects.


Share movies in multiple ways from one convenient place.


Create fun movies in as little as 15 minutes
Create and share great-looking movies in minutes with Adobe Premiere Elements 4 software. Get started quickly with easy moviemaking options; show your style with amazing audio and video effects; and share your movies on YouTube, your own website, disc, and virtually anywhere else.

Create your first movie in minutes


Show your style with amazing effects


Share your movies virtually anywhere










Availability: Usually ships in 24 hours


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Customer Reviews
Average Rating:  out of 5 stars

Rating: 1 out of 5 stars - * Great features, If only would stay running ...
Great features but it's extremely slow to load and is terribly buggy. On an HD project with four layers and keyframes, it's utterly unusable due to crashing. I've gotten weird behavior, errors during renders and, worst of all, shutdowns. It is unusable since it now takes approximately 2 minutes to load and I get a major crash within a few minutes of trying to do anything useful.

I've got three fast hard drives and 3 Gb of RAM on Win XP so you'd think that would be enough.

It would be an incredible program if it could keep running.



Rating: 1 out of 5 stars - * Absolute junk ...
I purchased this software for use on XP and have since reinstalled it on Vista. On XP it was buggy yet usable. On Vista it is buggy and useless. Your projects cannot be exported to DVD/CD or PC, at least in any of the formats I tried. All of the problems Premier Elements 4 has are well documented yet Adobe has never patched it. Are you a sucker? If not, don't waste your money. Windows DVD Maker is plenty for the home user and way easier to use.



Rating: 1 out of 5 stars - * Don't waste your money ...
I wish I would have read the reviews first. I upgraded from Premier Elements 2 to 4...and that was a big mistake. The program crashes and takes FOREVER to load video...I just deleted it and lost out on my money. Never will i go Adobe again.



Rating: 1 out of 5 stars - * Fun While It Lasted ...
Awesome, a low-budget version of the professional Adobe Premiere Studio, what could sound better? Warm pancakes? Maybe...but Premiere Elements could have turned into a classic software, great for students, beginners, and inspiring film-makers who can't afford the average $799 price tag for the full blown version. The Adobe Elements series as lasted this long, solely on it's prime series of Adobe Photoshop Elements. I work full-time as a MultiMedia Production Specialist, doing video-editing, graphic designer, and various other MultiMedia duties. I tap into the Adobe group every single day to do various aspects of my job, and I have loved what I have worked with.

Coming from a very big dollar company, we can afford the full blown Creative Suite which is well over $1,000. However, we budget when it comes to our office computers, in which we need Photoshop...so since Photoshop Elements 1, our company has kept updated as the updates roll by. Photoshop Elements is a fantastic program, but for some reason the Premiere Elements series has strongly lacked the potential it could be for an amazing budget software. I read through the reviews and all I saw was bad review, after bad review...but why? I have dealt with Photoshop Elements all this time...how could Premiere Elements be THAT BAD? I took the advice of one reviewer here and downloaded the Trial Version of Premiere Elements 4.

From the get go, the interface is a matching feel for what Photoshop Elements 6 is...dark interface, different navigation than the full blown version, and a semi-beginner friendly atmosphere. I actually love the interface for the software, even though it is totally different than what I typically deal with on a normal basic when we would with the CS2 suite. But I found it interesting and quickly began to try and "prove the reviews wrong", maybe the people didn't know what they were talking about or maybe they didn't have the right system requirements. Well, like most people here, I put it to the test with a top of the line video editing system.

I wrapped myself around the software and explored the slimmed down version left and right. I thought hey, this would be pretty fun for a beginner, or person trying to get a budget software to start them up...I mean hey...it's from Adobe, it can't be bad. Then all my hope crashed, just like the software did...crashed. Not one, not twice, not three times, not...well...I gave up after the fourth time. Like a teenage school girl who just found out that the nerd in the back of the class likes her, I yelled..."Like..OMG!" Yeah, it was THAT BAD. The same THAT BAD that I didn't think was clearly possible, it's ADOBE for pete's sake! But Adobe has dropped the ball....BIG TIME. I do recommend the Photoshop Elements Series, but not this...stay away from it as far as possible.

If you want to test it, download the trial. You can do much reproducing, primarily because of a black bar across everything that you do that states that "This was done by Premiere Elements 4 TRIAL", but you can at least see if it is going to crash on you. Don't get your hopes high, cause it will. In a nutshell, had potential, but failed big-time. One can only hope that Adobe can hear the complaining by us and actually produce a Premiere Elements that is actually GOOD. Elements 7 is coming in October via some sources...maybe there can be hope in that.



Rating: 4 out of 5 stars - * Good Overall ...
A good product overall. Exclellent features, especially preview and scanning of clips which can be shaky with similar products. It was not running well to begin with, though. I called tech support and it seems I had a problem with my WinTV card competing for the same codec. But the tech support guided me through the solution quicky and with great expertise. 5 stars for tech support (located in Oregon, not Calcutta or Hong Kong!)
Now it's working very well. But 4 stars vs. 5 as it's a little weak on menu creation. I am running on a 2.4 GHz computer, 1 GB RAM and 3 hard drives (1 for the OS and product install, 1 small drive reserved for temporary scratch data which makes it run much faster and the other for the imported videos)


VERSION] [OLD 4 Elements Premiere Adobe


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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

Beyond Pirates of the Caribbean: At World’s End


Our Pirates of the Caribbean Store

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Stills from Pirates of the Caribbean: At World’s End (click for larger image)





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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley


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Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley
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The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La Gorce
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Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce

,B000UK6OUK Version Old 4 Elements Premiere Adobe
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